I went to the Musée Rodin yesterday. It was part of my 'last things to do in Paris before I leave' tour of the city. It's a pretty tiny museum but the works that they have are just incredible. I've been reading up a little on the nuts story of Auguste and Camille too. I can see her folie in her works, her crazed nature. How she was driven towards that. I can't even imagine how it really was.
This one Rodin piece, Je suis belle, really caught my eye. It's a man clutching onto a woman who's folded up in his arms. These pictures are from different angles so you can see the whole thing (photographing sculpture is so tricky like that). I think the one below it, Femme accroupie, was a study for this one. Just amazing.
Claudel did a bunch of sculptures in what looked like jade or this lovely green marble. Just all kinds of awesome stone, really. I love how in La Vague, the wave looks like a bunch of men crashing on the women. I don't know much about her at all, but I feel that she probably represents a large population of late 19th century women who shared these sentiments towards men at the time. I read somewhere that after Rodin stopped seeing her he continued to support her financially, but she was constantly trying to be free from him. That says a lot.
In L'Age Mûr, she's pulling Rodin away from death and old age. I think it's one of the most beautiful and tragic things ever made, this one. When I get to heaven, I'm going to give her a really big hug.
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Rodin, Je suis belle |
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Rodin, Je suis belle |
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Rodin, Je suis belle |
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Rodin, Femme accroupie (Crouching Woman) |
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Camille Claudel, La Vague (The Wave) |
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Camille Claudel, Gossipers |
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Camille Claudel, L'Age Mûr (The Age of Maturity) |
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